White Night Melbourne
I woke up crazed and exhausted this morning. I'd been tossing and turning and didn't get to sleep until nearly dawn. And no wonder.
Last night at 11pm, with our friends Cathie and Ken, we were de-canted from the sedate surrounds of Hamer Hall, where we had been attending Victorian Opera's gala concert, into the White Night wonderland that the city had become in our absence.
From now on, one night every February from 7pm until 7am, the respectable dowager that is Melbourne gets to throw off her corsets and pearls, wash the blue-rinse from her hair and exalt in her alter-ego - a navel-baring, pierced and tatooed rager.
Part of Electric Canvas' installation in Flinders Street |
View of the Spiegel tent from the NGV moat |
The NGV had heaps on offer inside too.
I was intrigued by the churning white foam installation of French artist, Michel Blazy.
White foam reaching up to Leonard French's iconic stained glass ceiling |
The sculpture below of Indonesian fishermen packed a real whallop. Made entirely of clothing and boots but with no bodies, you could see right through their forms. It left me with a queasy feeling that I'm still trying to make sense of.
Indonesian fishermen |
Just across the road from the NGV on Princes Bridge, we stood gasping with thousands of other locals and tourists at the amazing artistry of From the Deep. Laser light and water combined to transform the Yarra into a marvellous aqua extravangza.
But thankfully, with this exhilarating first taste of raging, there's no way the dowager (Melbourne or me) will pass up the opportunity next year.
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